Contextual review

Since I entered the Specialist pathway, it has been approximately seven weeks. I feel that I have been doing well. From the expert courses, I have learned many drawing techniques and methods to make our images more solid. The most challenging aspect, in my view, is how to enrich the drawings and be able to tell a story. Therefore, I chose to integrate many 3D elements into my drawings because I believe tangible elements can provide a more immersive experience.From the first time we were instructed to draw and capture various perspectives and scenes in life, I learned to use different angles and materials to piece together a complete picture. You can create art on anything related to your subjective consciousness, and this will make your entire composition richer and more three-dimensional. I feel that this has been extremely beneficial for me.The most special working method, in my experience, is the process of searching for and assembling a more three-dimensional painting. You can use a variety of materials to create a highly impactful overall piece. You can draw or apply various textures on it, and the results are always good.

In the second week of the second part, I gradually shifted towards a more three-dimensional and expressive approach to my creations. It wasn't merely a 3D architectural model; rather, it became a method of painting on a 3D model. This period also marked the exploration of the third project, where I extensively used metal wire to weave a wearable device. I embodied the fears and emotions I aimed to express, rendering them in a softer and more attractive manner, marking the inception of the connection between my aspirations, creation, and painting.I believe that painting goes beyond traditional surfaces; it can extend into the realm of 3D or seamlessly merge with it. Consequently, I chose to fuse painting with three-dimensional elements. Beginning with the creation of a rough model, I painted on its surface – a fusion of three-dimensional and two-dimensional elements. Using stone plastic clay, I crafted organs, torsos, and facial expressions, capturing numerous dynamic elements. Through imaginative fabrication based on these captured actions, I painted the desired scenes on their surfaces.While teachers might perceive my work as leaning more towards 3D, acknowledging my proficiency in this area, I maintain that painting and creating architecture share fundamental similarities. Painting on what I create is a unique form of expression, a distinctive approach to the art of painting.

In Part 2, I chose to conduct some research on mental illness and some anxiety and appearance lesions. I have searched a large number of books on the Internet about mental illness and the experience of mental patients. I have seen a large number of psychological processes and artistic physiotherapy for patients with mental illness and mental illness. I think this is a very important reason and reason for my creation. What I want to do is to make physical therapy and art. The art is combined to form an art that can be cured.The artist who inspired me visually was Chiharu Shiota.Her artworks always have a strong visual impact and bring people a very strong after-viewing experience.Chiharu Shiota at her first solo exhibition in New York, titled "At Goff + Rosenthal," Shiota burned dozens of chairs and then intricately wrapped them with numerous threads, using a total of 14 kilometers of cotton thread. The threads, woven from all directions, formed a closed space. The charred chairs emitted an unsettling odor as they disappeared from the audience's view.Changyu Zou, a freelance illustrator residing in Georgia, is the artist who inspires my color palette. Creating surreal and fantastical illustrations, Zou utilizes the power of written language to transform them into images that transport you to another world. His artworks depict doors leading to places filled with magical creatures, shiny stars attracting surreal birds, and offer glimpses into the profound connections between human minds. Zou's creations always feature a uniquely beautiful color palette, leaving a powerful and impactful impression that captivates viewers.

I aspire to diversify my creative concepts in the future, transitioning from 2D to 3D or exploring the integration between them. Spatial creations often provide people with richer visual and emotional experiences, serving as a powerful means of empathizing with creators. In my current process, I believe my strengths lie in color coordination and a highly diverse creative approach. I aim to further evolve my creative style, allowing it to continually change in form. My ultimate goal is to become a 3D painting artist, exploring new dimensions in artistic expression.In the third phase of my artistic journey, I intend to delve deeper into historical stories and backgrounds, adding more layers of depth to my work. This approach seeks to infuse my creations with thoughtfulness and enhance their ability to convey meaningful messages. What I genuinely want to express extends beyond my inner self, encompassing various societal issues. I hope my artwork can serve as a reference for individuals, prompting them to value their own mental well-being and fostering healing within.

Contextual review This page is part of the collection 'Part 2'.

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